Silence and the Green Fuse

The force that through the green fuse drives the flower has a name.  Well, haha, okay, it has many many many names.  But one of them – one precious to my people, is that of Beltane, the season of Fire.  Beltane is the Feast of the Greening of My Blood, the Quickening of Summer, the Festival of Celebrating Heat.  I imagine red tulips, sexy, pulsing with the fat sweetness of almost-summer, the promise of the beginning of the growing season, lettuce, spinach, radishes (you have to love radishes – the newbie gardener’s delight – almost instantaneous results, big, crunchy, spicy red radishes practically five minutes after seed planting).  Fire, love, Faery, green stars.  Drums.  Ecstasy.  Wild nights.  Yum.

I can wax a million words on each of the other 7 blessed Holy Daze of the contemporary American Pagani (though as a follower of more or less Celtic ways I tend to emphasize the cross-quarters, I recognize that all eight including the solstices and equinoxes is becoming generally recognized as the Pagan cycle of religious holidays), yet – when it comes to Bealtinne, Festival of Lush, of Ripe, of Juicy, of Mmm Oh Yeah, I get kind of lost for words.  Beltane, I would explain if we were face to face, is here – and I would place my hand over my heart and my stomach – a ball of Something Very Great in the core of the body.  Beltaine (day of the multiple spellings) is by far the most ecstatic of the high days in my book, and as such it never seems to need formalities, words, rituals.  It needs music, body-humming dancing, laughing, eating, and, if yer of a notion, the practicing of the happy horizontal tango nigh unto perfection.  It’s an epicurean immersion in the delights of corporeal being.  It’s the Highest Mostest Day of Embodied Bliss.  The celebration of the gorgeous arc of the flesh in harmony with the Earth. 

My first Beltane holds one of my sweetest memories – flush with being 18 and new to college, I was crowned May Queen at a tiny local gathering on a gorgeous misty day, and I tasted the wholly sacred fire of mead for the first time in my life – my first communion with the honeybee, who has since become my most precious animal relationship and a part of my Fetch soul, my beloved sister.  I remember it as a uniquely sublime day – a day of perfect joy, lots of raucous laughter, and community sharing.  It was loud, but shot through with something ineffable and feral and beautiful.  It’s never the ritual itself that I remember from that day, but the essence of it.  The essence of Beltane.

It’s therefore for me both a little strange and a little familiar to discover then that as Beltane draws near, I find myself withdrawing further into ecstatic silence, not frenzy (though there is delicious shivering joy to be found in the silence – it’s just not what I usually think of as celebrating orgiastic joy).  I have been intermittenly attending a local Quaker meeting, in an effort to reacquaint myself with blessed Silence.  I like the Religious Society of Friends for a number of reasons, which has been rather evidenced of late, I suppose.  There is something uniquely powerful about a group of people together gathered to merely sit and soak in the silence, waiting on the Light.  As an earth-based religious person, I am filled during these intense periods of hush with images of the red rocks of the southwest at sundown, the bonelight of the desert, the lush spring ripeness of dawn striking a sunken stretch of green grass at the cusp of a creek.  I imagine the light of the Golden Hour before sunset, when the whole world is washed in grace, and I marinate in it for as long as possible.  The green fuse that drives the flower is the green pulsing light of juicy life – and the light of Beltane is the light that falls from flower petals, shifting according to the time of day.  The silence invokes the Light.  In all the times I’ve seen the Light in its most brilliant manifestations, it has been accompanied by a breathless, pregnant quiet.  In the stillness of trembling beauty we wait in as a people, we possess for a moment the wild grace of the animals that we are, kin to deer and hares.

So there’s a Beltane secret in the Silence that I’m only just (re)discovering – the same that is found in the heart of dancing and shouting (both of which I enjoy immensely and wouldn’t give up for the world).  In the heart of the green fuse may we all find our stillness, our wildness, our crazy gorgeousness, our laughing, our dreaming.  Forever and ever.  Blessed be as Blessed Dances.

Honeybees Update

It looks as thought it’s possible that our desperate need to be in hyperconvenient instantaneous contact with each other every minute of our waking lives might have something to do with the dramatic and devastating collapse of honeybees

Praying Out Horror

What a great time I’ve chosen to break my news fast.

When horrific tragedies like that at Virginia tech happen, it takes me a day or two to even process the information.  I become overwhelmed.  I wonder about the kind of fallout we as a people experience and will experience as the corporate emotional cost of reeling from this kind of tragedy after tragedy builds in us as a society.  As always – I move towards questions about the way faith dances in the world, even its dans macabre.

How do we, as Pagans, respond to horror?  We are a path determined to celebrate ecstasy (at least, this is my impression/opinion, which is, as ever, perhaps mine alone), which is a critical piece to keep alive in a world where many other religions seem to me to be focused heavily on images of redemption (which necessitate something to be redeemed/saved from), images of tragedy, grief, and the way in which religion acts as a solace in those instances.  I think solace is critical as well, but not at the expense of celebrating the glory of life on our green planet, or the precious ecstasy of our embodied being.  The key, of course, is to find ways to appeal to both of these critical pieces – to find joy without ignoring the needs of the grieving, and to grieve without ignoring opportunities for joy.  Christianity seems pretty on the spot when dealing with times that try our souls and minds – churches organize almost instantaneously to offer opportunities for communities to come together and share tears, prayers, just being with others in grief.  We Pagani are simply less organized, less willing maybe, or perhaps just at a loss as what to do as a religious people when these situations arise.  As Hecate points out, the disorganization on our parts as Pagans is one of our more endearing qualities to me as well, yet, like Hecate, I wonder that we do not do more, and wonder why we do seem to de-emphasize questions of how we might respond religiously to these events.

Ultimately, again, my faith is about celebration and ecstasy.  I do feel that we focus on these aspects of religion as a society so rarely that I think our contribution to religious thought in this manner is absolutely critical and we should not ever lose our focus here.  Yet.  Yet.  There is always and forever the matter of authenticity – and no religion can claim authenticity that denies a piece of the complex nature of being who and where we are.  To pray out horror, to learn to cry out in rage and sadness and grief – these are fundamental.  We cannot be brothers and sisters in the Holy Order of Hystericals without them. 

I may not be articulating well today.  My numbness has not yet shifted.  I can only hold those families and friends of the many dead in my prayers to the Mama.  I can only wonder and fear and rage and cry and love whom I love with a fierceness. 

Dormancy and Flowering

Where the Hel have I been?  What an excellent question. 

Several years ago I stopped reading/watching/absorbing The News (which I capitalize mostly because I see it as pretty much a unified blob-like entity).  There are a number of reasons for this – I’ve pontificated previously about my belief that The News is really a deception – as though what you’re receiving is some kind of comprehensive and unbiased reporting, which is impossible.  Yet, the most prominent reason for this excommunication of a sort was that the only purpose The News seemed to serve in my life was to make me feel like washed-out shit.  When I stopped pursuing the smorgasbord of governmental follies, political weasel-wrestling, eco-nightmare statistics, recipes for empty capitalist success, vapid celebrity infotainment, and meaningless civilizational blither, all liberally seasoned with enormous chunks of fear-mongering (crime! death! blood! sharks!), I felt better.  I’m not necessarily saying that this approach works for everyone, but it worked for me.  While I’m fairly sure The News sucks like a Hoover overall and is generally unhealthy for most, I personally found that it made me feel spiritually and emotionally dead.  Zombie dead.  Walking nightmare dead.  Vacuum in the pit of my innermost soul dead.  Like high fructose corn syrup and hydrogenated canola oil, it’s a poison best left off my plate.  So – I stopped consuming it.  I began to choose my media intake with meticulous, obsessive care.  And when the wailing masses began to worry about me losing my grip on “the world around me”, I assured them that relevant world events were not lost on me – purely by virtue of living in the world and in my communities I heard what I needed to know about the major patterns, events and movements in the world.  I still skootched around the web, gleaning here and there, listening to snatches of information on the radio, etc.  The truth is that you can’t really get away from news unless you live in a hermit hut in the middle of a wilderness – and despite my occasional longing to do just that, I still live in a moderately urban area, talk to people, and I am still privy to Media, whether I like it or not – so I know who’s running for president, and I know about wars and catastrophes and scandals.  The key for me was to reduce my intake – dramatically.  I still don’t get or read newspapers, I don’t frequent news web sites, I don’t watch news programs, I don’t read news magazines.  For a while there, I was happily news-free.  I saw a lot less of Paris Hilton, for instance.  It was a rather pleasant time.

Well, and then I decided to start blogging.  And I found a whole bunch of amazing people out there talking about the News, and politics in particular, in bitter and angry detail, and I liked it so I went looking for more…and next thing you know I’m reading dozens of blogs and my intake of The News has suddenly spiked.  And I started to see those Media Gremlins from the days of yore beginning to grin at me again from just beyond my range of vision. 

So I decided to take a little internet/news/blogs fast.  I didn’t quite mean for it to go on as long as it has, but it was immeasurably beneficial.  And here I am, all apple-cheeks and rosy countenance (more or less), just in time to start cheerleading for Beltane.

More to come this week as I begin to organize my thought patterns back into “oh, I should blog about this” mode.  Until then, I contemplate the impending season (this is why you gotta love the Pagani – just when you think we’ve just finished one holiday, you turn around and bump into another), and the not so Beltaney weather we’ve been having here in the not-so-wild Midwest lately.  Less snow, please Mama.  More tulips.  Just a request from a humble not-at-all-secret admirer.

Review – Magdalen Rising

Greetings to all my sisters and brothers during this tumultuous glorious beginning of the Spring season!! Birth, you may have heard, is not easy, and the Mama thrashes about in her bursting forth of greening, lashing the black earth with dramatic sluicing rains, terrific thunderstorms and dangerous winds. It’s the beginning of tornado season here in the not-so-wild Midwest, making the landscape just a little wilder than usual. We keep an eye to the sky – watching for green lightning and black clouds, listening for the sirens that instruct us to burrow deep and seek out windowless shelters. My fiercer nature delights in this time of year – howling out in the thrash and fire of every storm, grinning insanely at the onset of every brooding evening, rocked to sleep to the tune of hard rain, awakened in the morning to a deep and sinister laughter that shakes the house and sets off car alarms down the street. It is the YES! season. So sweet and yet dangerous. The delicious shiver of riding that fine edge – the season of new birth and hope twinned with danger and destruction. Breathless, I tremble, taut as a harp string – it’s the wind up before the pitch – the moment of both/and – a mystic’s season. Birth is not easy – this is what makes it a miracle. Every time.

It is more than appropriate, then, that it falls on me at this auspicious time to review Magdalen Rising: The Beginning by Elizabeth Cunningham, the first book of the chronicles of Maeve Rhuad, the Celtic Magdalen, herself no small force of Nature.

I have been a fan of Elizabeth Cunningham’s works for quite some time. Her early books include the beautiful and juicy novel The Return of the Goddess, the haunting and theologically rich The Wild Mother, and the absolutely stunning How to Spin Gold: A Woman’s Tale. Lately, it seems, Cunningham’s life has been somewhat taken over by a certain red-headed Power of no mean standing, who demands, with every fiery bone in her body, that her story in all its beauty, tragedy and ribald detail be told. Luckily, Cunningham is up to the challenge.

Magdalen Rising: The Beginning is the prequel to Cunningham’s recently successful and powerfully epic The Passion of Mary Magdalen. For those who have fallen in love with the fiery Celtic companion of Jesus from The Passion, Magdalen Rising will be a gossipy delight in discovering the origins of their beloved heroine. For those new to her saga, it will set a perfect stage for the second novel. Either way, readers are in for a ride. A Celtic Mary Magdalene? Jesus training with the Druids at Mona? This is only the beginning. It’s a premise as bold as its narrator.

Born on the mystical island of Tir na mBan (the Isle of Women), young Maeve begins her life in the bosoms of not one but eight larger-than-life warrior witches. Each with their own gift for an aspect of weather-witching, outrageous personality, fierce loyalty and stormy attitude, the wild witches of Tir na mBan are not to be trifled with. It’s both a sweet and outstanding gift and a bit of a burden to grow up among such legends and myths, but Maeve herself has her own dazzling destiny, so it’s only fitting that her lineage be divine on both sides – descended from Bride on her mother’s side, and fathered by none other than Mannanan Mac Lir himself (or so she’s told). Upon reaching her tender adolescence and uncovering the misty outline of her destiny, Maeve is sent to the island of Mona to begin the rigorous training to be a Druidic bard. But even training in the sacred arts of storytelling, music-making and Druid magic is not an impressive enough fate for Maeve. There is a Stranger on the island when she arrives. A student with a face from her dreams and a devotion to theologies and philosophies that Maeve finds outrageous even as she’s overwhelmed by love. The one the Druids call Esus. Whether she likes it or not, she is caught up in a larger story, and this is only the beginning.

Cunningham has a history of examining that fluid, theologically tricky boundary between Christianity and Goddess-centered Paganisms. She approaches this boundary as a dance – weaving the two together at times and letting them duke out their difference at others (a kind of thea/ological capoeira if you will). Not all will jive with her interpretation of the religions or spiritualities she posits – she is making a bold move to historically weave pre-Christian Celtic mythology, Druidry, Goddess-centered spirituality, Judaism and Christianity together into her narrative. Things are sure to get muddled at times. Yet she has obviously done an enormous amount of research, which is combined with her considerable theological background, and thus the premise of a Celtic Magdalene, while certainly radical to suppose, is not unbelievable in the context of the novel.

Cunningham’s style in Maeve’s narration of her epic life is bracing, frank, and gutsy. Maeve is no shy violet, and Cunningham is not afraid to ask pointed questions about the role of women in patriarchal religions and cultures. Raised by a team of warrior women, Maeve knows none of the shame our patriarchal cultures have traditionally instilled in our girl children. She is brave, brash, and many times throughout her story forsakes her better judgment for the passionate choices of her heart (and other parts of her anatomy). She’s refreshingly, powerfully, sometimes embarrassingly and always undeniably human. Though the healing power of the stars, a gift from her ancestress the Goddess Bride, may course through her hands, and though she may receive visions and dreams, and though she was born of legends and lives to become one herself, Maeve remains utterly authentic.  Her adventures through adolescence, though filled with magical and spectacular events, nonetheless contain moments that are familiar to us all, and while her stubborn determination may make the reader occasionally groan in frustration, it also encourages us to rally behind her when events take a darker turn.

For fans of good religious/mythological/spiritual/magical/feminist fiction, and indeed, for those just fond of a gloriously spun tale, both books in the Maeve Chronicles are highly recommended.  Both attack the sweet, demure and servile imagery of proscribed female roles and cultural expectations in Biblical and mythological history/lore and turn them on their head (where they belong).  Both contain rippingly good stories and quality storytelling.  Both are bound to make some uncomfortable, some laugh out loud, some cackle with wicked glee, and all think hard about our cultural stories and what happens when we dare to re-envision them in fresh and unexpected ways.  I know that I am looking forward very much to the final volume in the trilogy – I would not miss finding out what happens next to Maeve’s stormy fire and the legends wreaked in her wake.

To read an exerpt from Magdalene Rising, click below.  And watch out for those tornadoes – both literal and literary!

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